Cultural Disruption -- Sightings

Martin Marty opines today on the ways in which we view and experience our culture -- especially the idea that we are at best terrible, but are we not more?  Do we not have better natures?  Take a look, offer your thoughts.


Sightings 2/8/10

Cultural Disruption
-- Martin E. Marty

This week we reflect on issues posed in a thoughtful piece by Leon Wieseltier in the February 18th New Republic, titled “Aftershocks.”  A question it inspires:  Is there a framework in which to place the fights-of-the-week that made news on the “religion and public life” front in recent days?  We refer to publicized fights over suspect sponsors of prayer breakfasts, trafficking of children in Haiti, pop-culture churches that sponsor “extreme fighting” in the name of Jesus who is billed as an extreme fighter, and the religious fight of the century, don’t ask, don’t tell (about sex, of course).  All of these disturb and disrupt the healing messages of religious bodies of all sorts everywhere.

Wieseltier finds a framework in talk about realism, which can help counter the mere fatalism that is so culturally current and widespread.  He takes off from responses to the Haitian earthquake, which include silly and cruel theodicies like one voiced by the Reverend Joseph Lejeune in a tent city at Port-au-Prince:  “Life is not disaster.  Life is joy!”  On the other hand he is suspicious of more serious attempts to avoid the questions of theodicy among those who fault only the human causes of Haitian misery.  The new-atheist uses of the event to “prove” the non-existence of God are also unconvincing.

Wieseltier’s conclusion relates to humanisms:  “It is just not the case that the less you believe in God, the more you believe in man…Whether or not God exists, we do, and much of the time – though not now, as the planes clog the runways in Port-au-Prince – we are terrible.” We are terrible.  Give Wieseltier credit for wrestling with the bigger questions of the human story.  He is at least focusing properly.

It is time to haul out the passage from José Ortega y Gasset that has guided my own cultural-religious inquiries through the decades.  Reporting on wars, after earthquakes, financial crisis, et cetera is one thing, but “decisive historical changes do not come from great wars, terrible cataclysms, or ingenious inventions:  ‘It is enough that the human heart incline its sensitive crown to one side or the other of the horizon, toward optimism or toward pessimism, toward heroism or toward utility, toward combat or toward peace.’”  We can substitute other terms for Ortega’s “optimism,” “heroism,” and “peace,” so long as they signal alternatives to the presently dominating nihilism, political “no”-saying, polarization, cynicism, and pop-cultural escapism

Stories of positive alternatives tend to be overlooked and even buried.  Wieseltier finds one of these exceptions symbolized by the planes bringing relief to Port-au-Prince.  Those who look closely can also see how many humanizing and healing efforts are rooted not in the publicized contributions of celebrities, though there are good reasons to applaud even their short-lived efforts, but in sacrifices and gestures made by people in overlookable places such as local voluntary associations, congregations, parishes, synagogues, scout troops, and families who regularly go about their business.

Those who make up these bodies and units and agencies do know, as Wieseltier reminds us, that “we are terrible,” but terribleness is not the last word.  Politicians, broadcasters, bankers, and marketers often disdain those who help “incline the sensitive crown of the human heart” toward longer visions, incentives, and actions that might profit us and our not-always and not-only terrible contemporaries.  But Lincoln’s birthday Friday might call to mind a leader who invoked “the better angels of our nature,” or, if talk of “human nature” makes us uneasy, then the better angels of our story.

Ortega is quoted in Karl J. Weintraub, Visions of Culture (University of Chicago Press, 1966).
Martin E. Marty's biography, current projects, publications, and contact information can be found at

In this month’s edition of the Religion and Culture Web Forum, Sarah Imhoff introduces us to the Hasidic reggae musician Matisyahu, who weds reggae music with strong pronouncements of Jewish faith and identity.  Imhoff notes that a common concern for music critics and Matisyahu's coreligionists alike resides in issues of authenticity.  Music critics ask if he's "reggae" enough; Orthodox Jews debate whether he's "Jewish" enough. By troubling categories of identity and their relationships with artistic form, Imhoff explores the limits of "authenticity" in aesthetic and religious performance.  With invited responses forthcoming from Melvin L. Butler (University of Chicago), Judah Cohen (Indiana University), Annalise E. Glauz-Todrank (University of California, Santa Barbara), Elliot A. Ratzman (Swarthmore College),and Nora Rubel (University of Rochester). 

Sightings comes from the Martin Marty Center at the University of Chicago Divinity School.


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